Difference between revisions of "Bas 1:Let there be light"
From Medfilm
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|Format couleur=Noir et blanc | |Format couleur=Noir et blanc | ||
|Format son=Parlant | |Format son=Parlant | ||
| + | |Réalisateurs=John Huston; | ||
|Pays de production=États-Unis; | |Pays de production=États-Unis; | ||
|Langues origine=en; | |Langues origine=en; | ||
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|Durée=58 | |Durée=58 | ||
|Clé de tri=Let there be light | |Clé de tri=Let there be light | ||
| + | |Audience locale, nationale, internationale ?=Nationale | ||
|État de la fiche=Ébauche | |État de la fiche=Ébauche | ||
|Avertissements=Standard | |Avertissements=Standard | ||
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|Musique et bruitages=Non | |Musique et bruitages=Non | ||
|Images communes avec d'autres films=Non | |Images communes avec d'autres films=Non | ||
| − | | | + | |Sujet={{HT_Sujet |
| + | |Langue=fr | ||
| + | }} | ||
| + | |Générique principal={{HT_Gén | ||
| + | |Langue=fr | ||
| + | }} | ||
| + | |Résumé={{HT_Rés | ||
| + | |Langue=fr | ||
| + | }} | ||
| + | |Contexte={{HT_Cont | ||
| + | |Langue=fr | ||
| + | }} | ||
| + | |Direction regard spectateur={{HT_Dirige | ||
| + | |Langue=fr | ||
| + | }} | ||
| + | |Présentation médecine={{HT_Prés | ||
| + | |Langue=fr | ||
| + | }} | ||
| + | |Lieu projection={{HT_Proj | ||
| + | |Langue=fr | ||
| + | }} | ||
|Communications et événements associés au film={{HT_Com | |Communications et événements associés au film={{HT_Com | ||
|Langue=fr | |Langue=fr | ||
| − | |Texte=Ce film a fait partie de la sélection ''Un certain regard'' du Festival de Cannes en 1981.}} | + | |Texte=Ce film a fait partie de la sélection ''Un certain regard'' du Festival de Cannes en 1981. |
| + | }} | ||
| + | |Public={{HT_Pub | ||
| + | |Langue=fr | ||
| + | }} | ||
| + | |Descriptif libre={{HT_Desc | ||
| + | |Langue=fr | ||
| + | }} | ||
| + | |Notes complémentaires={{HT_Notes | ||
| + | |Langue=fr | ||
| + | }} | ||
|Références={{HT_Réf | |Références={{HT_Réf | ||
|Langue=fr | |Langue=fr | ||
| − | |Texte=C. A. Morgan III, ''From Let there be light to Shades of Grey: the construction of authoritative knowledge about combat fatigue (1945-1948)'' in ''Signs of life, Cinema and Medicine'', edited by Graeme Harper and Andrew Moor, Wallflower Press, London and New York, 2005.}} | + | |Texte=C. A. Morgan III, ''From Let there be light to Shades of Grey: the construction of authoritative knowledge about combat fatigue (1945-1948)'' in ''Signs of life, Cinema and Medicine'', edited by Graeme Harper and Andrew Moor, Wallflower Press, London and New York, 2005. |
| + | }} | ||
|Documents_Film= | |Documents_Film= | ||
| − | |Documents_Externes=}} | + | |Documents_Externes= |
| + | }} | ||
Revision as of 14:25, 30 May 2018
| Let there be light
| |
|---|---|
| Title | Let there be light |
| Year of production | 1946 |
| Country of production | États-Unis |
| Director(s) | John Huston |
| Duration | 58 minutes |
| Format | Parlant - Noir et blanc - 35 mm |
| Original language(s) | English |
| Archive holder(s) | National Library of Medicine |
Main credits
(français)
Content
Theme
(français)
Main genre
Synopsis
(français)
Context
(français)
Structuring elements of the film
- Reporting footage : No.
- Set footage : No.
- Archival footage : No.
- Animated sequences : No.
- Intertitles : No.
- Host : No.
- Voice-over : No.
- Interview : No.
- Music and sound effects : No.
- Images featured in other films : No.
How does the film direct the viewer’s attention?
(français)
How are health and medicine portrayed?
(français)
Broadcasting and reception
Where is the film screened?
(français)
Presentations and events associated with the film
(français)
Ce film a fait partie de la sélection Un certain regard du Festival de Cannes en 1981.
Audience
(français)
Local, national, or international audience
Description
(français)
Supplementary notes
(français)
References and external documents
(français)
C. A. Morgan III, From Let there be light to Shades of Grey: the construction of authoritative knowledge about combat fatigue (1945-1948) in Signs of life, Cinema and Medicine, edited by Graeme Harper and Andrew Moor, Wallflower Press, London and New York, 2005.
